Whanki 318 Case
By casetagram
iphone-15-pro
recasetify-impact-case
Color: Black
- ¥409
永恆傳奇，繁星點點期盼下次相遇。Whanki Museum x CASETiFY 聯乘系列以 Kim Whanki 標誌點、線、面重塑畫作，摒棄主體描繪突出情感，透過電子配件紀念一代抽象藝術先鋒。
Kim Whanki（1913-1974）透過幾何圖案、簡約景觀和色彩，營造獨特抽象且充滿詩意的藝術風格；作品多以韓國文化和人生經歷為主題。透過全新聯乘系列，感受均勻排列韻律感，展現藝術家對自然的微妙懷想。
Duet was created in 1974, the same year that Kim Whanki passed away. It contrasts his "All-over Dot Painting" style with linear forms to express musical duets.
Created in 1969 during Kim Whanki's New York period as part of the "Cross Composition" series. The entire canvas is divided into four sections, with various formative attempts expanding from the center into each section.
This artwork was created in 1957 and captures Kim Whanki's feelings upon hearing the news of his mother's passing back home.
Created in 1973, 318 features a dynamic composition that connects different sections of rotating dots with empty line spaces.
This Drawing, created in 1967 in New York, is part of the "Nature Abstraction" series. Its symbolic motifs capture elements of nature such as plants, mountains, and rocks.
Created in 1957, this work is one of Kim Whanki's masterpieces from his Paris period (1956-1959). It features abstracted Korean motifs such as the moon, jars, and plum blossoms arranged on a blue background.
Created in 1971, 217 is filled with dots, each surrounded by a square, naturally blending together in an "All-over Dot Painting" style composition. Kim Whanki inserted triangular spaces of different colors to pursue variation within the composition.
Created in 1972, this artwork is characterised by a sense of movement. It features an "All-over Dot Painting" composition, with the arrangement of the dot elements rotating in a circular pattern.
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