Whanki 318 Case
By casetagram
iphone-15-pro
recasetify-impact-case
Color: Black
- ¥409






Whanki Museumコレクションから、点と線の永遠を感じる抽象的な美を手に入れよう。
アートとテクノロジーが融合した限定デザインで、キム・ファンギの作品を体感しよう。

伝統よ、永遠なれ。Whanki Museum x CASETiFYで、キム・ファンギ(1913-1974)による抽象画のタイムレスな傑作を新たな形で楽しもう。キムは韓国文化と自分の経験をもとに幾何学模様、単純化した形状、色を用いたモチーフを描いて独自のスタイルを発展させた、韓国抽象画界のパイオニア。CASETiFYの限定コレクションで卓越したアートとテクノロジーが融合した世界に身を任せよう。


Duet was created in 1974, the same year that Kim Whanki passed away. It contrasts his "All-over Dot Painting" style with linear forms to express musical duets.


Created in 1969 during Kim Whanki's New York period as part of the "Cross Composition" series. The entire canvas is divided into four sections, with various formative attempts expanding from the center into each section.


This artwork was created in 1957 and captures Kim Whanki's feelings upon hearing the news of his mother's passing back home.


Created in 1973, 318 features a dynamic composition that connects different sections of rotating dots with empty line spaces.


This Drawing, created in 1967 in New York, is part of the "Nature Abstraction" series. Its symbolic motifs capture elements of nature such as plants, mountains, and rocks.


Created in 1957, this work is one of Kim Whanki's masterpieces from his Paris period (1956-1959). It features abstracted Korean motifs such as the moon, jars, and plum blossoms arranged on a blue background.


Created in 1971, 217 is filled with dots, each surrounded by a square, naturally blending together in an "All-over Dot Painting" style composition. Kim Whanki inserted triangular spaces of different colors to pursue variation within the composition.


Created in 1972, this artwork is characterised by a sense of movement. It features an "All-over Dot Painting" composition, with the arrangement of the dot elements rotating in a circular pattern.
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